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Tuesday, January 22, 2008

2008 OSCAR NOMINATIONS

Well, they're in ... How did the Lounge do in yesterday's post? Not that bad ... We got about 24/30 correct. That's 80 percent. Not the best, not the worst. Story of my life...

The biggest surprise? Angelina Jolie and Sean Penn snubbed and little-movie-that-could Juno coming in much much stronger than predictors may have thought. Think of it as this year's Little Miss Sunshine.

Here are the main categories, followed by what Hemingway's Lounge predicted ...

BEST ACTOR
George Clooney, Michael Clayton
Daniel Day-Lewis, There Will Be Blood
Johnny Depp, Sweeney Todd
Viggo Mortensen, Eastern Promises
***Tommy Lee Jones, In the Valley of Elah

We picked Ryan Gosling, Lars and the Real Girl

BEST ACTRESS
Julie Christie, Away From Her
Marion Cotillard, La Vie en Rose
Laura Linney, The Savages
Ellen Page, Juno
***Cate Blanchett, Elizabeth: The Golden Age

We picked Angelina Jolie, A Mighty Heart

BEST SUPP ACTOR
Casey Affleck, The Assassination of Jesse James...
Javier Bardem, No Country for Old Men
Philip Seymour Hoffman, Charlie Wilson's War
Hal Holbrook, Into the Wild
Tom Wilkinson, Michael Clayton

BEST SUPP. ACTRESS
Cate Blanchett, I'm Not There
Ruby Dee, American Gangster
Amy Ryan, Gone Baby Gone
Tilda Swinton, Michael Clayton
*** Saoirse Ronan, Atonement

We picked Catherine Keener, Into the Wild

BEST PICTURE
"No Country for Old Men"
"Michael Clayton"
"There Will Be Blood"
"Atonement"
*** "Juno"

We picked The Diving Bell and the Butterfly

BEST DIRECTOR
Paul Thomas Anderson, There Will Be Blood
Joel Coen and Ethan Coen, No Country for Old Men
Julian Schnabel, The Diving Bell and the Butterfly
*** Tony Gilroy, Michael Clayton
*** Jason Reitman, Juno

We picked: Joe Wright, Atonement
Sean Penn, Into the Wild

For the complete Oscar list, click HERE.

Monday, January 21, 2008

THE BEST STALLONE INTERVIEW - EVER

Thanks to InternetSavage, this is one of the best Sly Stallone interviews by radio talk show host Mike Savage. Hands down.

Savage, an independent-minded individualist, fits no stereotype. He not only attacks big government and liberal media bias but champions the environment and animal rights. He's one-of-a-kind.

So take about 20 minutes, grab a cup of joe and chill out for a bit.



PREDICTIONS FOR OSCAR NOMINATIONS


Being that tomorrow morning The Academy announce the 2008 Oscar nominees, I figure I would weigh in with my predictions. Seems like a pretty easy year...

Here goes:

BEST ACTOR
George Clooney, Michael Clayton
Daniel Day-Lewis, There Will Be Blood
Johnny Depp, Sweeney Todd
Ryan Gosling, Lars and the Real Girl
Viggo Mortensen, Eastern Promises

BEST ACTRESS
Julie Christie, Away From Her
Marion Cotillard, La Vie en Rose
Angelina Jolie, A Mighty Heart
Laura Linney, The Savages
Ellen Page, Juno

BEST SUPP ACTOR
Casey Affleck, The Assassination of Jesse James...
Javier Bardem, No Country for Old Men
Philip Seymour Hoffman, Charlie Wilson's War
Hal Holbrook, Into the Wild
Tom Wilkinson, Michael Clayton

BEST SUPP. ACTRESS
Cate Blanchett, I'm Not There
Ruby Dee, American Gangster
Catherine Keener, Into the Wild
Amy Ryan, Gone Baby Gone
Tilda Swinton, Michael Clayton

BEST PICTURE
"No Country for Old Men"
"Michael Clayton"
"There Will Be Blood"
"Diving Bell and the Butterfly"
"Atonement"
(Hmmm ... Will JUNO upset everyone and bump one of these others?)

BEST DIRECTOR
Paul Thomas Anderson, There Will Be Blood
Joel Coen and Ethan Coen, No Country for Old Men
Sean Penn, Into the Wild
Julian Schnabel, The Diving Bell and the Butterfly
Joe Wright, Atonement

LA TIMES EDITOR AXED


All too commonplace these days are newsrooms coming under the gun when it comes to finances. What with online news venues, classified ad portals like craigslist and job sites like Monster, it's never been harder for a newspaper to be in business. This is a sad sign of the times ...

L.A Times Fires Editor in Dispute Over Budget Cuts, Month After Newspaper Parent Company Sold
By John Rogers, Associated Press Writer

LOS ANGELES (AP) -- The Los Angeles Times fired its top editor after he rejected a management order to cut $4 million from the newsroom budget, 14 months after his predecessor was also ousted in a budget dispute, the newspaper said Sunday.

James O'Shea was fired following a confrontation with Publisher David D. Hiller, the Times reported on its Web site. The story didn't say when the confrontation took place.

Times spokeswoman Nancy Sullivan said the newspaper would have no comment.

To read the rest of the story, click HERE.

Thursday, January 17, 2008

'STAR TREK' PIC LEAKED - NEW ENTERPRISE



While it may not be the best pic in the world, here's a shot of Paramount's new Starship Enterprise from director JJ Abrams upcoming "Star Trek" origin relaunch.

WRITER'S STRIKE OVER?

The Director's Guild of America has reached a deal with the producers and suits. Huge considering their beef was almost the same as the writers.

Via Variety:

The DGA’s reached a tentative three-year deal with the AMPTP with key advances in jurisdiction and payment for programming on the Internet.

“Two words describe this agreement -- groundbreaking and substantial,” said Gil Cates, chair of the DGA’s Negotiations Committee. “The gains in this contract for directors and their teams are extraordinary -- and there are no rollbacks of any kind.”

The was announced Thursday afternoon following six days of negotiations at AMPTP amid widespread expectations that the helmers would quickly reach an agreement with the majors. Deal, if ratified by the 13,500 DGA members, will take effect on July 1.

To read the rest click HERE.

IS THE FOURTH ESTATE THAT GENERIC?


State of New Hampshire stops issuing ID cards to journalists

The Associated Press is reporting that the state employee who handled that chore says just about anyone can call himself a journalist these days, and he doesn't want to be put in the position of having to decide who's a legitimate member of the news media.

Click HERE for the whole story.

On a similar note ... "In my day, as a newspaper man, radio man and television man, I had the feeling I was telling people something they wouldn't otherwise know," says 91-year-old Daniel Schorr to the Sacramento Bee. "That's no longer true. I'm glad I'm not 20 years younger, because I'd be very discouraged. ...At my age, I look at [the media landscape] and say, 'Boy, I'm glad that's for other people.' I couldn't stand what's going on today."

Wednesday, January 16, 2008

RAMBO vs. ALIEN, vs. PREDATOR, vs. FREDDY??


Just as he did with last year's "Rocky Balboa," Sly Stallone is answering a ridiculous amount of fan questions over at the web site Ain't It Cool News. If you're a Sly fan, you MUST check it out.

Interestingly, though, when one fan inquired about his common admission that he’d like to continue the Rambo franchise beyond this new film, the fourth in the series, here’s what Stallone said...

"I truly can’t tell you yet because I think it would be bad luck, but I think a challenge would be to take the character which has been perceived mostly in a realistic vein and add another element of the surreal that would actually take the audience into a slightly different genre. It’s not like I’m going to turn it into a full on Broadway musical starring the Muppets, but it is ambitious."


With all of the crossovers these days in comic, films and even video games, I bet the studio would love to see a Rambo vs. Predator or Alien. How cool would that be?

To read the entire transcript with all of the fan questions, click HERE.

Tuesday, January 15, 2008

F-BOMBS AWAY

Don'tcha just love when the F-Bomb drops live on national TV? It's sorta like a little gift from God. Well, not really ... But funny as hell, nonetheless.

On a press tour for her film "Mad Money," Diane Keaton gets caught up in the moment on GMA this morning ...

SLY TO REMAKE 'DEATH WISH'


In November of 2007, MGM chief operating officer Rick Sands indicated that Sly Stallone was tentatively attached to write, direct and star in a remake of the 1974 film starring Charles Bronson. Stallone didn't confirm that he was proceeding with the film, but indicated to the web site IGN that he had an idea how to make the update relevant.

"I think Death Wish, if it were done today, would be volcanic," Stallone said. "The idea of Jeff Goldblum being a mugger who breaks into an apartment is very simplistic. It gives you an idea how bad the elevation of violence has become. I would focus on defense attorneys, I would focus on [the people] allowing this crap to happen -- not so much the guy on the street. It's like, 'Who permits it?'

To read the entire piece at IGN, click HERE.

IS KATIE COURIC EVIL?

Boy, it seems that someone out there doesn't like Katie Couric. For some reason, a Benedict Arnold on her staff has released this raw behind-the-scenes footage of her that "supposedly" shows her evil side. The footage landed on My Damn Channel.

Covering her first presidential primary for CBS News, this spunky little broad couldn't be more controlled and poised. If this footage was supposed to instill dislike, it backfired. She's certainly expressing a sense of humor, curiosity, good manners toward her staff on the most stressful of evenings.

Papa H would be proud to call her a journalist.

Monday, January 14, 2008

BILL MAHER ON THE WGA STRIKE

On Friday's edition of HBO political gabfest "Real Time," host Bill Maher weighed in on the Writers Guild of America strike. Watch it a couple of times. It's certainly interesting. While Maher respects the scribes in his writers' room, it sounds like he's had enough.

A rare opinion for a talk show host to have. Showing yet again, he's got some cojones. Watch this clip from last season, and you'll know what I mean.

Sunday, January 13, 2008

'RAMBO' NOT TO SCREEN



Rambo fans, this isn't good ... Lionsgate has decided not to screen the upcoming "Rambo" for press -- aside from the few who attended the press junket in Los Angeles earlier this week.

What's more, even the scribes who attended were subject to extensive Non Disclosure agreements which won’t allow them to say a word. Hate to think it's THAT bad... Then again, like most modern horror films that don't screen, the studio probably thinks there's enough of an audience so why risk bad press.

Thursday, January 10, 2008

THE TWO ELVISES - PART THREE


Very few people have read any fiction I've written, much less a story which happens to not be my particular favorite. In any case, a few days ago, I posted this poem. It was an ode to a teenaged Vegas elopement and the bar they visited soon after. After thinking about it, I figured it was the perfect companion piece or sequel to a short story I wrote eons ago about the same subject. If anything, the only thing I can say is that they ultimately belong together at this point. First this story, "The Two Elvises" which I'll post in three parts, and then the poem from the other day - Honeymoon at the Atomic.
________________________________________________
"The Two Elvises" - Part Three

So here they were, a week later, standing in the tackiest house of worship they've ever known. They were about to join the ranks of individuals who go the extra mile in romanticism. The unconventional notion of packing up everything with your loved one and eloping, is a proposition people with no courage can only dream about. Besides, if the town was able to marry big shots like Paul Newman, Jane Fonda, Sammy Davis, Jr. and Michael Jordan, two snot-nosed kids from Chicago probably wouldn't have many other options.

"So what should we do, baby?" Carol asked him.

He shrugged his broad yet bony shoulders. "Doesn't matter. How 'bout the Elvis one? It'll be fun, I guess." She smiled in agreement and turned to the minister who was prepping himself for a 7:30 p.m. ceremony -- a black couple from Georgia were renewing their vows after 42 years of marriage.

"'Scuse us, father. I think we're gonna go with the Elvis wedding?"

"Splendid."

"How much extra we talkin'?" Stu asked.

"The Elvis wedding is an extra hundred."

"Are you kiddin'?" Stu said, frowning.

The minister pulled up the sides of his trousers. "Be rest assured son, that our Elvises are the best in the biz," he defended. "Jake Peters was named best rockabilly Elvis by Presley's own fan club."

"Really?" Carol asked.

"Yesiree. Three years running. He's got that one-man review show up in that hotel... Venice."

The couple conferred. Stu told her that an extra hundred could easily be used for gas or even more important, lodging for at least a couple of nights.

"But I want to," his bride-to-be insisted. "We'll remember it for the rest of our lives."

"Carol, are you thinking about where we're gonna sleep? As it is, our money is already starting to disappear."

"Only because you had to stay up all night playing blackjack."

"Hey, I won back everything I lost. So you can't count that."

Stu saw the corner of her bottom lip begin to quiver. "I thought you loved me," she said to him.

"Oh, Jesus Christ, it has nothing to do with loving you, Carol."

"After all we've been through"

Stu shut his eyes in aggravation saying, "God damn it Carol --"

The minister snapped his Bible shut and said as kindly as possible, "Excuse me son, can you watch your language? We're in The Almighty's house after all."

The boy knew he was wrong and held up his palm to the minister, embarrassed, "See what your doing, Carol, making me curse in a place of worship. And besides, when did you suddenly start liking Elvis?"

Carol ignored Stu. "We'll take the Elvis package," she told the minister, pulling out a small bundle of tens and twenties.

"What the hell is that?" Stu asked.

"I'll pay for the Elvis thing, okay?"

Stu was still dumbfounded. "Carol, where did you get that money? Did you call them? Did they wire you money?"

She stopped counting the bills. "Remember after the buffet at breakfast you had to go the bathroom?"

"Yeah..."

"I slipped off to a slot machine and won about $190. I was gonna use it to buy you a wedding present but since you're bein' such a creep, I'll pay for the Elvis. That's my present to you. Happy fucking wedding day."

Stu knew to just keep his mouth shut. He'd smooth things over later. Besides, Carol was going to feel so euphoric after the ceremony, chances are she'd forget about it.

But things got confusing again. "Which Elvis would you like?" the minister replied.

Carol wasn't really getting the gist of what he was asking. "Anyone'll do. Whoever's available."

The minister chuckled, shaking his head saying, "You don't seem to catch my meanin'. Would ya'll prefer rockabilly Elvis or jumpsuit Elvis?"

The kids looked like they were just asked to explain the square root of pi.

"Big difference you know," the minister continued. "Big difference."

Stu never really thought about Presley as two separate entities. As far as he was concerned Elvis was... well... just Elvis. He decided to fess up and asked, "What's the difference?"

"Well," the minister explained. "Rockabilly Elvis was the young Elvis. The one y'all probably seen from the clips of the Ed Sullivan Show. He was vibrant, charismatic and good lookin' too," he said glancing at Carol and pointed to a photo from one of the wedding catalogs. "You see, the is what rockabilly Elvis looked like."

Carol's eyes lit up. "Elvis was a babe, huh?" she said to Stu.

"Yeah, I guess. Too bad he became fat and bloated."

The minister gave Stu a look as if he'd committed blasphemy. It was sacreligous to refer to the King -- in the town that he helped put on the map -- as fat and bloated. "I beg your pardon, young man," the minister corrected, "the king had a little bitty problem in his twilight years." The minister took a long pause before he tried to diplomatically explain. "In the seventies, the King put on a little weight so to speak and he couldn't fit into them tight leather numbers he liked to wear."

"Those cool suits didn't fit him either, huh father?" Stu asked.

The minister agreed and sadly shook his head. "Let's just say they weren't very conducive to his..." the minister said trying to find a harmless word. "...Girth."

The minister flipped through a couple more pages in his catalog and pointed to a photo of Elvis from his last concert. In all the splendor that was The King, there he was in full Technicolor -- the gaudy white jumpsuit, the bloated puffy cheeks and the huge gut -- an inflated icon that once made millions scream.

The minister shook his head in a weird kind of despair, "It's a damn shame," he said as if just hearing about his death on that dreadfully hot August afternoon. "Yep, it's a damn shame what them drugs'll do to you." He tried to lighten up and turned to the kids, "So which will it be?"


The married couple walked out of the chapel. Carol held onto Stu's hand like a vice grip to the point where he had to fake checking his watch to have her let go. Stu noticed his wife was beaming. Happy at the world. Happy that she was finally someone's wife. Stu's wife. Not quite knowing how to feel yet, Stu smiled back and stayed quiet. In his young life, if he figured out anything, it was that when you don't know what to say, you don't say anything.

Noticing a hot dog stand on the corner, Stu asked Carol if she was hungry."

"I was hoping that our first meal as husband and wife would be a little more special," she said.

"Hon, If I don't get something in my stomach, I'm gonna faint. Besides, I had so many butterflies in there, I think it might be good to eat a little something."

"Oh, all right," she said kissing him.

There was a small line ahead of them at the stand. A family of three, seeing the city, sightseeing; a casino worker, probably a dealer; and a woman with a small duffel bag. She was absolutely stunning. Stu put on his sunglasses to get a better peek without getting snagged by the misses. He took her in at least from the back -- dark brown hair, caramel complexion, and a rear end that favored a small basketball. If there was a 'Best Ass in Vegas' competition, Stu thought she'd win, hands down.

"Do you know what you want?" Carol asked him.

"Uh, yeah," he said. "A hot dog."

"I know that, Stu. I mean what are you getting on it?"

It was useless. Stu took off his sunglasses and turned to Carol. "Uh, I don't know, Carol. Why?"

Carol shrugged her shoulders, "No reason. 'Scuse me for asking. Forget it."

Stu knew it was wrong to snap at her, especially since they tied the knot just 15 minutes ago. He kissed her on her cheek and playfully bit her earlobe. It was his way of apologizing. She knew it and put her arm around him. Her way of saying, "It's okay, but don't let it happen again."

The happy couple stood there waiting, arm-in-arm, as everyone ordered their dogs. Stu watched the pretty woman in front of him order two franks with relish and quickly remembered how much he despised relish. He watched her stroll over to a nearby bench and eat the foot longs. Man, it was a pretty erotic sight. A vision that he tried hard not to frustrate him. After all, he was a newlywed and there was definite sex in his immediate future. If he played his cards right, he and Carol would be in the sack by dusk.

"What do you want on your hot dog?" Carol asked, sounding peeved.

"Why?"

"'Cause the guy's waiting for your order?"

Stu turned to the vendor. "Do you have chili?"

"No chili" the man answered in an unrecognizable accent. "Just bean."

"That's fine."

Stu paid the peddler and he and Carol walked over to a bench parallel to the one the girl was on. The sunglasses came on again. "Man, this sun is bright, huh?" he said to Carol. "Where's your sunglasses?"

"Left them in the car."

"What did you do that for?" Stu asked, chomping into the dog.

"It was cloudy before, remember?"

"Oh yeah," he answered.

Carol looked as if something was bothering her, but Stu didn't notice. It wasn't until he heard her sniffing that he knew something was wrong.

"Honey, are you okay?"

Carol didn't answer.

"What's wrong?" he asked again, sitting closer to her and altogether forgetting about the sexy stranger across from them.

"Did we make a mistake today?" she asked him, blowing her nose with one of Stu's napkins.

"Why are you saying that?" Stu wanted to comfort her and let her know that everything was going to be okay. He rubbed the back of her neck and he felt her loosen up a bit. "I love you, Carol." he said. "I plan to be married only once in my life, so you're stuck with me whether you like it or not."

"Look at us," she said to him. "Where we gonna wind up? Where are we gonna go?"

He scarfed down what was left of his hot dog and sprinted to a newspaper vending machine. As he trotted back to Carol, Stu held the paper up like a paperboy and said, "What's next? We find jobs -- that's what's next."

"Really?" Carol didn't know how to respond. The thought of settling in Vegas was never really propositioned. At least not seriously.

Stu went on. "We get jobs, get a cheap place and..."

"And what?" Carol asked, somewhat excited at his burst of enthusiasm.

"And... I try to look up my dad. Last I heard he was out here making a living."

"He's still here?"

Stu shrugged his shoulders. "Who knows? We'll see."

"What's he do?"

"I heard he was a pit boss in one of the casinos but got fired."

"What's he do now?" Carol asked.

"My mom said he's a professional card sharp or something."

"He gambles for a living?"

"Who knows if he's even still in town. He could be pumping gas in Alaska for all I know. Who knows if he'd even want to see me." Stu switched gears. "The important thing is that we plant some seeds to grow roots of our own. Me and you. Know what I'm saying?

Carol didn't say anything. She was weighing what Stu was saying.

"Please don't ever doubt what we did here ever again, okay?" Stu said watching Carol getting the napkin out of her pocket and blowing her nose. This time, tears of happiness were flowing down her chin and she whispered, "I love you. You're so right, baby."

"Don't worry about a thing," Stu said, hugging his wife and noticing the sexy stranger get up from the bench and walk across the street into the Sugar and Spice Lounge. A banner attached to the building advertised an all-day go-go rama with over fifty girls. Stu thought she must have been one of the fifty.

He wanted to see her on that stage, wrapped around a pole. He couldn't help it. One thought ran through his mind repeatedly.

"How can I get her phone number?"

THE END

THE TWO ELVISES - PART TWO


OK... As I said in yesterday's post, I feel like I'm going out on a limb here. Very few people have read any fiction I've written, much less a story which happens to not be my particular favorite. In any case, a few days ago, I posted this poem. It was an ode to a teenaged Vegas elopement and the bar they visited soon after. After thinking about it, I figured it was the perfect companion piece or sequel to a short story I wrote eons ago about the same subject. If anything, the only thing I can say is that they ultimately belong together at this point. First this story, "The Two Elvises" which I'll post in three parts, and then the poem from the other day - Honeymoon at the Atomic.

_________________________________________

"The Two Elvises" - Part Two

They met a year ago when Carol's dad met Stu's mom at The Drink Cart, a small bar inside of the main terminal in Chicago's O' Hare Airport. Stu's mom, Bette Holmes, was an over-the-hill flight attendant whose days were numbered. It's not that she was incompetent or belligerent to passengers, but simply, she wasn't the youngest flower in the bouquet anymore. Years of flying cross-country have begun to take their toll. And after training an endless number of pretty young girls to work with her on the plane, she knew, from watching them bounce up and down the aisle with their bubbly smiles, peddling earplugs and magazines, that she was through. When it got slow, she'd sneak into the bathroom and gaze in the mirror, inspecting the wrinkles that resembled the topography she often flew over.

It didn't stop there. Her golden brown hair that once flowed in wavy strands now resembled frizzled hay. The eyes, once bright and optimistic, now peered with darkened suspicion. And the hourglass figure that used to make male passengers melt behind their Newsweeks, evoked the shape of a bowling pin. It was obvious -- what little looks she did have were quickly whisking away, like the dry leaves in a late autumn breeze.

So in drowning her sorrows after a long flight from LAX, Bette met Roger Nichols, a copier salesman, just back in town from his company's annual convention.

When the subject of family came up, Bette said, "I have a son. Stuart. Just turned twenty."

"Really?" Roger said, sounding surprised. "My daughter's gonna be twenty on March 7."

Bette smiled, as if they were sharing the same secret. "They'll drain you, huh? Drive you batty. What's her name?"

Roger saw the face of his baby girl. "Carol," he answered, pulling out a small snapshot from his wallet. "Isn't she a doll?"

"Oh yes," Bette said. "Stu would love her..."

So Stu and Carol were introduced about a month and a half later at a Labor Day barbecue held on the grounds at Roger's company. At first Stu thought Carol was a little primadonna, with her shoulder shrugging and one word answers. But he soon realized, after knowing her a bit, that's how she acted when she was nervous. As for Carol? She thought Stu was a typical jock, sophomoric and stupid at the same time. But after she got to know him, she realized it was his free-spirited nature, easy-going and relaxed that made him appear so juvenile.

"You live in town?" was the first thing Stu asked her. After Carol answered yes, he was stuck and really didn't have much else to say. Neither did she. The initial small talk of young love can be excruciatingly scary and the lack of chit-chat between these two kids were perfect examples. When Roger jogged over and asked them what they wanted from the grill, a small part of Stu and Carol were relieved. They thought they were saved, but Roger, not wanting to intrude, took their food requests and went back to the barbecue. They were back at square one.

"So..." Stu said stumbling for something to say, "is that your red Miata?"

She nodded. "I got it used about a month ago. You like it?"

"Who wouldn't? Is it a stick?"

She crinkled her nose. "Yeah, but I can't really drive it that good," she said. "I stall alot. It took me a half hour to get here today because I had to find a way with no hills."

Stu knew this was his area. "Carol, you've come to the right guy. I've been driving five-speeds ever since I got my license."

"Do you have any pointers?" she asked.

A young man's cockiness overcame Stu. "The way I can teach you, you'll be driving NASCAR by Friday."

So there was the common ground. He helped her drive like Mario Andretti and she let him take her out a couple of times after the lessons. Usually it was to Friendly's for ice cream. Once they tried to buy beer, but got carded by some kid working the register that was younger than them. Stu called the kid a prick and they left the store.

They eventually became friends and it wasn't soon after, that their hormones got the best of them. It was only natural, therefore, that things became sexual.

When their folks announced wedding plans, it was Thanksgiving night and Stu and Carol didn't quite know how to deal with the fact they would soon be related. Both of them just stared into their plates filled with beets and turkey to the point where their parents wondered if they were ill.

"What should we do?" Carol asked later over the echoes of a football game.

"Stu flicked on MTV and put the volume louder so their parents wouldn't overhear and said, "Do you think we should stop seeing each other?"

"Stop seeing each other? Stu we're gonna like see each other every day. This is serious."

"Didn't you think that our parents getting married was a possibility? I say we do nothing. They fell in love. Why can't we?"

Carol thought about it. Stu was right. "Should we tell them?"

"No," he said. "They'll find out soon enough I guess."

So Bette and Roger wed about three months later in a quaint bed and breakfast ceremony and technically, you could say, Stu and Carol became step-brother and sister.

The family moved into a quaint tudor in the Chicago suburb of Englewood Heights. To the naked eye, Stu and Carol looked like any other step-brother and sister - the hogging of the bathroom, the fight for the remote control and even the quarrel as to who would take the garbage out wasn't uncommon. But behind closed doors, the two were falling deeper in love.

If Bette and Roger went upstairs to bed, then Stu and Carol would descend to the basement where a finished off den gave them all the privacy they needed. And for the evenings when Bette had overnight flights and Roger had sales meetings five states away, the kids played house, doing everything young couples do.

And it was those little things that almost got them caught -- like the time when Roger noticed the fireplace had been used when no one was supposed to be home. When he saw all the mood music scattered about, he just had to ask Stu, "Didn't you go skiing this weekend?"

Stu thought quick. "Bobby's water pump busted and my car wouldn't have made it that far, so we had to cancel."
"Did you have a date?" Roger asked examining the back of a Barry White CD.

"Not really. Some girl I knew from high school came over and she got a little cold, so I lit the fireplace."

"Was Carol here? Didn't she cramp your style."

"Luckily she went out with her friend Jackie and slept over there."

"I hope you scored at least."

Stu smiled. "I sure did Roger. I sure as hell did"

"That's what I like to hear kiddo," his stepdad said as he walked out of the den. "Do it while you're young 'cause gettin' old is a bitch."

Their luck, though, had to run out sometime. One Saturday morning -- when Bette always did housework -- she found something very odd and alarming. While emptying Carol's trash basket next to the bed an electric blue Stallion brand condom wrapper fell to the ground. It was Ribbed. She'd been home for the past three days and hadn't seen any boys come over to see her step-daughter. It didn't set right especially since her husband used the same brand. She thought about it a little more and came to the conclusion that something funny was indeed going on. She saved the wrapper and decided to show it to Roger when he came home from work.

"I found this in the trash today, Roger," Bette said throwing the condom wrapper in front of him as he sat down at the kitchen table.

"The kid works fast," Roger said to himself, but still letting Bette hear.

"What?" Bette asked, not understanding.

"Hon, don't worry. The other day Stu asked me if I had any extra rubbers. The kid's been seein' some girl lately and I've been asking him how it's been going. I guess he's starting to trust me a little."

Bette didn't know how to tell him so she just blurted it out. "I found it in Carol's bedroom."

"You found it where?"

"I was cleaning her room when I found it in the trash."

Roger's face turned beet red. "Are you thinking what I'm thinking..."

Bette sat down and fanned herself with a coupon circular. "Rog, no one has been in this house for a couple of days and unless you've been sleeping with her, I think our kids may be --"

"I'll kill him, Bette."

"Let me talk to him," she said. "Just calm down. Maybe there's a good explanation for this." She knew, however, there couldn't have been. There was a protocol, a decorum, that was broken. Nothing could fix it now.

About three hours, later Stu came home from work and Carol was up in her room on the phone. When their parents called them down to the kitchen, Stu knew they were caught. "What do we tell them?" Carol asked, petrified.

"Let me handle it. I'll do all the talking. Don't say a word."

But Carol did and Stu reacted to their parents like any twenty year-old would -- with angst and anger perpetuated by just the right amount of fear that makes people do the craziest of things.

"We love each other," he said. "You guys fell in love, why can't we?"

"Because, you little shit, it's dysfunctional," Roger snapped. "Did you ever see Marsha Brady sleep with Greg?"

Stu walked towards the door saying, "I don't have to take this."

Roger trotted after him and spun his stepson around and said, pointing into his face, "We are not done talking. Get back into that kitchen."

"No."

"Then get out!"

"Roger!" Bette screamed. "This is my child! Now, let's just all sit and talk about this."

"Daddy!" Carol piped in every couple of seconds during the confusion. She finally said when all was quiet, "If he goes, so do I."

Roger grabbed hold of his daughter's arm. "You're not going anywhere."

It was at that point where Stu drew his line in the sand, pushing Roger as hard as he could, clutched Carol's wrist and dragged her out of the house with him. "I love you, mom" was the last thing he said before slamming the door. All he heard as they ran down the walkway was his mom crying from inside.

TO BE CONTINUED ...

Wednesday, January 9, 2008

THE TWO ELVISES - PART ONE (ORIGINAL SHORT STORY)


OK... I feel like I'm going out on a limb here. Very few people have read any fiction I've written, much less a story which happens to not be my particular favorite. In any case, a few days ago, I posted this poem. It was an ode to a teenaged Vegas elopement and the bar they visited soon after. After thinking about it, I figured it was the perfect companion piece to a short story I wrote eons ago about the same subject. If anything, the only thing I can say is that they ultimately belong together at this point. First this story, "The Two Elvises" which I'll post in three parts, and then the poem from the other day - Honeymoon at the Atomic.

______________________________________________

"We always deceive ourselves twice about the people we love - first to their advantage, then to their disadvantage."
- Albert Camus


"The Two Elvises"

"Which wedding package do you want?" the minister asked the couple.

"What do you mean?" the girl Carol answered.

As the boyfriend, Stu, caught a glimpse of the minister, he thought getting married in a gaudy Las Vegas chapel was going to be the final nail in their coffin. He didn't care. Somehow, he knew the two of them belonged there. For the past day or so, he kept thinking of their parents, who would never approve of something like this. Right now, their faces were engraved on his conscience.

The man of the cloth answered with a slight hint of Southern drawl, "Well, little lady, we here at the Twin Steeple Chapel have a variety of packages available on this most special of days."

"Like?" Stu said.

"Well, we can arrange anything from getting married at the highest or lowest point of the Grand Canyon to proclaiming your wedding vows in a hot air balloon over the Hoover Dam."

Carol's eyes lit up. "That sounds great huh, Baby?"

Stu just nodded at Carol. The boy knew, however, there was no way these would come cheap -- especially in this town. "But those are those expensive, huh?" he asked the minister.

"Well, they're far from free, son," he answered. "Tell you what, though, if you let me know how much ya'll two can spare, I'd be more than delighted to tell you what we got." Stu's attention was quickly diverted to the hundreds of Polaroids stapled to the walls of the cozy chapel. The brilliant rays of the Nevada sun were starting to turn the edges of some of the pictures a slight shade of yellow. But even with the discoloration, he could still easily see the many faces of the happy couples. He wondered how many of them were still married. How many were young like he and Carol? How many were drunk at the time? And, judging from some of the older folks tacked to the board, how many were still alive?

His concentration was broken. "I'm talking to you, Stu," Carol said, nudging him to pay attention.

"What?" he asked, not hearing her. "I'm listening... I'm listening..."

"He's waiting for us," Carol said before whispering into her boyfriend's ear. Stu waited a second and whispered back. Carol seemed disappointed and asked, "That's it? Are you sure that's all we can afford?"

"We're pushing it as it is," Stu said.

Carol turned the minister and told him, "We have about $150 to spare, father."

"I see," he said, nodding over and over.

"Not enough?" Stu asked.

"No, no, no" the minister quickly said. "It just doesn't leave us with many options, that's all. But don't worry, I'm sure we can accommodate you with something."

Stu held onto his girl's hand and said, "Well, we're all ears, father." Carol tickled his palm with her thumbnail. He loved that. It was his weakness and he gave her a sexy grin.

The minister flipped through a timeworn leather binder and said, "Now let's see, an even hundred dollars gets the two a ya'll married with a witness."

"Is that the best you could do for us?" Stu asked.

The minister apologetically shrugged his shoulders. "M'fraid so, son. I guess you could call it the 'The no-frills package.'"

Stu just wasn't sure. He had to justify the two of them spending that much cash. He wanted to get married and all, but a hundred bucks was, well, a hundred bucks.

"What do you think?" Carol asked him.

"Baby, we just got into town two days ago. We gotta watch what we spend."

Carol sighed. "Then let's just forget it."

Stu felt Carol's melodramatics beginning and turned towards the minister. "Just a witness? That's all we get for a hundred bucks?"

"Certainly not, son," he said, holding onto the lapels of his gray blazer. "We supply a beautiful wedding garter for the bride and provide authentic organ music for the ceremony."

"As opposed to 'non-authentic' organ music?" Stu asked.

"You'd be surprised at how many chapels here in our great city play tape cassettes on this most special of days," the minister said, pointing to the instrument. "The real McCoy. Ain't she just a beaut?"

Stu thought it looked like one of those hastily screwed together catalog organs from a Sears Christmas Wishbook.

"And that's not all," the minister went on, "what wedding wouldn't be complete without a genuine keepsake?"

"Which is?" Carol asked.

"We're proud to give the happy couple two memento Polaroids," the minister answered, pointing to the photos tacked to the wall.

"Just to satisfy my own curiosity, father," Stu said, "If we wanted a couple of the 'frills' tacked on, what would they be?"

The minister opened his rate book once more. "Now let's see, an upgraded package includes a bridal bouquet for the lucky lady, boutonnière for the groom and best man, corsage for the bridesmaid with lots of optional extras thrown in."

Optional extras? Somehow the two kids knew those two words just didn't belong together.

"What kind of 'optional extras' we talkin' about?" Stu asked.

"Well, just tons, son. We can videotape your wedding, hire a top-notch shutterbug, book ya'll a honeyroom --"

"Uh, what's a 'honeyroom?'" Carol asked.

"Sorry, the minister said smiling, "That's wedding chapel lingo for honeymoon suite. I like to think it sounds better my way."

Carol turned to Stu and, looking dejected, said, "I wanted this day to be really special"

Hearing her, the minister raised his forefinger. "We do have one more little package that's probably the most popular."

The kids' curiosity perked as they watched the minister fold his hands saying, "The Twin Steeple's Elvis Presley Wedding Package is unlike anything else on the grand boulevard known as the Las Vegas strip."

Stu held back a laugh and thought the minister was joking. "Elvis Presley? You gotta be kidding."

"He'll even sing 'Love Me Tender.' It's very sweet. Very sweet, indeed."

Stu looked around the chapel and the concept of marriage was just starting to sink in because he couldn't believe what he was about to do. He was in love, no doubt about it, but he was scared like all grooms-to-be and thought his fright had to be natural. He looked at Carol. Beautiful. But what the hell were they doing? And this minister. What planet did he come from with his sickening congeniality? Their impromptu act of love was supposed to be a spontaneous lark, and it was turning into sheer confusion. He couldn't even imagine what couples tying the knot with lavish receptions could go through. A part of him wanted to go back home. But he and Carol came a long way.

They had a point to prove.

TO BE CONTINUED ...

Tuesday, January 8, 2008

ON THE DAY OF THE PRIMARY ...


This one is for all the Obama lovers out there, being that this is the day of the New Hamshire primary and all ...

In this scathing editorial, writer Christopher Hitchens poses several questions regarding the nation’s endorsement of presidential hopeful Sen. Barack Obama. Maybe too many. He asks why Obama, a man with a white mother, is considered to be black in the first place. “If you wanted a ‘black’ president,” he writes, “you could long ago have turned out en masse for Angela Davis - also the first woman to be on a national ticket - or for Jesse Jackson or Al Sharpton.” …Could it have been the politics?” Hitchens poses so many intelligent perspectives that any overall affect the piece might resonate is hindered by his constantly playing Devil’s advocate on a plethora of racial, religious and political issues.

Still, it’s interesting. Check it out. Click HERE.

Sunday, January 6, 2008

HONEYMOON AT THE ATOMIC (ORIGINAL POETRY)

Back in July I had the fortune of tying the knot in Las Vegas on 777, something I've always wanted to do. Me and the Mrs. were lucky. It was a great time and people we cared about were with us. We ate and drank lavishly and stayed at a gorgeous strip hotel. But what about those people who took the plunge in the fair city who weren't as fortunate? What if no one cared? Posing that question, I give you this narrative poem. Enjoy...



HONEYMOON AT THE ATOMIC
Inside one of the
darkest bars on the planet,
away from the smoldering Vegas
sun, two kids barreled into
my daytime bar, just off of
Freemont. Fresh faced and scrubbed,
he with his craggy polo and
flip-flops; she with an equally
wrinkled sun dress, they didn’t jive
since it was the kind of
joint people came
to when they just
didn’t care anymore.

The Atomic. A would-be beacon in a sea of
grimeholes, beckoning its
hopeless. And what of them?
Lonely Nevada drunks, crappy pickpockets,
former goddesses well beyond turning
their tricks and sunken men without
prospect who abruptly discovered
they were 46, scratchy and achy.
Even the fucking jukebox gave up.
It plays once a year on St. Patty’s Day.

Gillmore behind the bar,
a failed strip magician
plum out of illusions served
the kids their booze. The boy paid
with a thick wad of crinkled
dollar bills, which, by the
way still got you pretty
far at The Atomic.

As the afternoon progressed, their
giddiness got worse and it broke
everyone’s concentration. A few times
I had to put down my magazine and give
them the ol’ once-over. Didn’t do much good.

Clutching my mug, I asked if they
took that clichéd Vegas plunge. The cutie
nodded and Eduardo the Ecuadorian who,
up until then, never uttered a word
to anyone -- in Spanish or English --
raised his Pabst and told Gilmore that he’d get
the next round.

Their bliss told me that no one in
their lives knew where they were or even
even cared. Another sip.
I went back to my magazine.

Five drinks in, they still grappled
onto each other in that sickening
Eskimo kisses sort of way.
At the same time, the act made
me love them for it’s
innocent audacity and hate
them for my own sense of cowardice,
never having the balls for such
public displays.

The boy strutted to the sorry juke
and I knew there’d be nothing in
there for him.
But it didn’t matter, today was his
St. Patty’s Day and he was
ready for the world. Here.
On his honeymoon.
At The Atomic.
Away from the smoldering Vegas sun
and inside one of the darkest
bars on the planet.

The music started. I put down my
magazine and shut my eyes until
it was quiet once again.

Wednesday, January 2, 2008

Ummm ...

When you're a journalist, try to do your homework. Simple advice.

Live by it.

Check out this hilarious video of some dipshit reporter interviewing John Cusack.

THE ZEPPO MARX OF THE BEATS


While watching my new DVD "What Happened to Kerouac?" (a Christmas present), I inadvertently discovered an awesome beat poet - Gregory Corso.

Check out this awesome short poem from the collection "Gasoline"

"Birthplace Revisited"
I stand in the dark light in the dark street
and look up at my window, I was born there.
The lights are on; other people are moving about.
I am with raincoat; cigarette in mouth,
hat over eye, hand on gat.
I cross the street and enter the building.
The garbage cans haven't stopped smelling.
I walk up the first flight; Dirty Ears
aims a knife at me...
I pump him full of lost watches.


Here's a brief bio:

Gregory Corso, the only major Beat writer to have the forethought to actually be born on Bleecker Street in Greenwich Village, was sent to prison on a robbery charge at the age of 16. He probably would not have made poetry his life's work if he had not met Allen Ginsberg in a Greenwich Village Bar when he was 20.

Corso met Ginsberg in the Pony Stable Bar, one of New York's first openly lesbian bars. Corso, only 20 and recently released from prison, was supported by the women of the Pony Stable as an "artist-in-residence". Corso was writing poetry there the night Ginsberg arrived. Ginsberg, cruising bars, was immediately attracted sexually to Corso. Ginsberg later said, "The Pony Stable was I think a dyke bar... I just wandered in and I remember he was sitted at a table, and he was a very nice looking kid. Alone... So I thought, was he gay or what was it? Maybe not." Ginsberg was even more struck by reading Corso's poems, immediately realizing Corso’s talent. "One he showed me...blew my mind instantly...and it struck me instantly that he was... spiritually gifted." Eventually Ginsberg introduced Corso to the rest of his inner circle.

In their first meeting at the Pony Stable, Corso showed Ginsberg a poem about a woman who lived across the street from him, and sunbathed naked in the window. The woman turned out to have been Ginsberg's girlfriend during one of his forays into heterosexuality. Ginsberg introduced the young and virginal Corso to the sunbathing woman, and in a panic, Corso ran from her apartment. Ginsberg and Corso remained life-long friends and collaborators.

In later years Ginsberg’s initial assessment of Corso held. During an 1996 interview for the documentary film Corso – the Last Beat, Ginsberg claimed, "I think Gregory is the poet's poet. Certainly the one poet I learned from most now. Gregory, I think, in some respects is a poet superior to myself."

He went on to become one of the most well-known and widely-read Beat poets. He has an anarchic style similar to Ginsberg's, though his favorite poet is Shelley, a Romantic poet who was much too flowery for most Beats. He does not write with Ginsberg's massive intelligence or protean poetic power, but then who does? He once wrote a love-poem to atomic weapons, 'BOMB', in the shape of a mushroom cloud.