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Showing posts with label music. Show all posts
Showing posts with label music. Show all posts

Friday, August 14, 2009

BAD NEWS FOR JAZZ: CAN IT BE SAVED?





In 2002, the year of the last survey, 10.8% of adult Americans attended at least one jazz performance. In 2008, that figure fell to 7.8%.

Not only is the audience for jazz shrinking, but it’s growing older—fast. The median age of adults in America who attended a live jazz performance in 2008 was 46. In 1982 it was 29.

To read more and to check out this great article, click HERE.



Tuesday, February 3, 2009

R U PROFESSIONAL? - BALE FLIP OUT PARODY

You're Batman. You're also an actor. You have a conniption on the set of your latest film. The internet web-based music gods make a remix of it entitled "R U Professional."




Friday, September 12, 2008

KOOP KOOPER'S COCKTAIL NATION!!


Introducing the Cocktail Nation, swanky tunes in podcast form on the right rail for all to peruse. There's plenty of shows you can scroll through. The show is a gasser...

The Cocktail Nation is a Lounge Music Podcast from the Penthouse of lounge lothario Koop Kooper in Sydney. Kooper plays a mixture of '50s and '60s lounge along with today's best Neo Lounge bands. There's news from the world of swank plus interviews with the most interesting swingers of the scene. Delve into the world of swank, with book reviews and a weekly website to dig. So come join the retro movement across that world that is Lounge Subculture.

Thanks to blogger buddy "BISH" (located in my links)


Thursday, July 24, 2008

MEET GROOVESPOOK: THE NEXT MOBY


Originally posted on our other blog Bukowski's Basement. For the four of you who saw it there, my apologies...

Meet the next Moby...

... Only more poetic and with no dopey political or environmental agendas like saving the tsetse fly or rare leaves in the Amazon. He's a hard-drinkin', eclectic techno artist whose lyrics are thought-provoking, dark, ambiguous and timely.

Granted, the musical vibe of Hemingway's Lounge isn't exactly ambient or techno-driven. Yup, as we stir our whiskey with a rusty nail, we gravitate towards those tunes that akin to the underbelly. But that said, we do love to chill every now and then, so meet Groovespook. His quirky, grim, two-toned lyrics are a perfect fit for Bukowski's Basement as are his simplified, disturbing videos (constructed in his own basement).

Here's some lyrics...

TWAS PINK FOR A MINUTE
The Shape of it was cool,
The eye of any fool
could name it's origin but for the mix that lay within

The feel of it was cool
the touch of any fool
could tell the presence of a forethought kept on ice
on ice
but
the taste of it was cool
the look of any fool
could send a weaker man to mirror such a weaker man
than I am
than I am
than I am

And the video...



So how just how did "Twas Pink for a Minute" come about? "I came directly home from having to work Saturday and Sunday of the long weekend that was the 4th of July," he explains on his blog.

"Nothing could be more depressing for a 36 year-old really," said the musician, who's real name is Porl Gordon, an Australian transplant who lives in New Jersey. He goes on to say that after getting home from work, he built himself the aptly-named "Gordon" (a simply awesome Martini with secret ingredients) and sat down and did the following:

1. Wrote a poem about it.
2. Turned it into a tune.
3. Performed it.
4. Recorded it.
5. Visually recorded it.
6. Visually performed it.
6. Merged the three (almost seamlessly)
7. Imported them into After Effects and added... ummmmm... After effects? Or is that too stupid?
8. Exported it to a happy format for You Tube.
9. Uploaded it.
10. Watched it and finished the Martini

Born in England and raised in Australia, he started penning music when his parents gave him a Yamaha DX7 synthesizer at 14. Ever since, he started buying more equipment and developing his own style which led to a self-produced disc called "Broad Water Moods."

Gordon says he's inspired by the likes of Thomas Dolby, Tears for Fears, Peter Gabriel, Massive Attack and Portishead. In addition to the ivories, Gordon also plays flute and bass and uses his voice in his recordings. He worked as a deejay in his native land down under and when he was 26, he headed to London and continued to work the steel wheels at various music venues. "I did raves in London. I would do eight hours of music," Gordon told his local paper. In 1999, he came to America.

Here's his other hypnotic creation, "FAILURE AT THE CAVE" which we think may have fanboys wetting their pants.

FAILURE AT THE CAVE
I walked right in
not me scared
not of him
not a lizard hissing
could sweat me pissing my
x wing trousers

he said I wouldn't need my light saber
the little wizard said backwards clever things
not three more minutes
till I'm face to face
with a nasty man

in a trench coat
and a garbage can
redesigned to keep his
scorched dead skin
from flicking all right off of him

Of course I couldn't know that then
because of lying old man Ben
and the little green wizard
shot glances between me and him
under my x wing
swamp weed
wouldn't need my light saber
the little wizard said backwards clever things
not a pained long focus
could have let me see who the nasty man was

in a trench coat
and a garbage can
redesigned to keep his scorched dead skin
and showing Luke Anakin

Now check out his video for it...




Monday, May 28, 2007

PRIMED FOR 'OCEAN'S 13'? LISTEN TO THESE SWINGIN' TUNES

Those Danny Ocean boys are back! In the upcoming "Ocean's 13," the hipster thieves have forsaken Europe and are now back in Las Vegas (thank the Lord). This time out, they plan to fix all the games in Al Pacino's new casino. Should be a hoot...

If you're like us, salivating at the very notion of a fun Sin City film, you'll want to get into the mood. So tunes are essential. So break out your Mary Janes, prep the cuff links and order a bottle of Jack because I compiled a collection of swingin' tunes to get you cool casino cats in the mood for sippin' martinis, throwing dice and smelling perfume well into the wee hours.

“Sinatra at the Sands” (Reprise) - What better way to kick off "Ocean's 13" week than spinnin' THE swinginest disc of them all? There are more than a few discs of The Chairman doing his thing in Sin City, but this is the only one you'll need. Backed up by Count Basie and his orchestra with a young bandleader named Quincy Jones, the 16-track disc perfectly captures Sinatra’s swagger during his heyday in the Sands Copa Room. Recently remastered with “Luck be a Lady,” it’s the epitome of casino-era Sinatra. Time capsule stuff...

“Dean Martin Live at the Sands Hotel” (Prism) - Capturing much of his loose, easygoing and impromptu sense of humor seen in earlier Rat Pack shows, this is the only live disc of Dean Martin’s casino act from the ‘60s. Hits include “You Must Have Been a Beautiful Baby” and the staple “That’s Amore.” Available via Amazon.

“Sammy Davis — That’s All!” (Rhino) - This definitive two-disc live recording taped at the Las Vegas Sands in 1967, captures not only the singer within Sammy Davis, but also the mimic, comic and musician. A jam session with Buddy Rich on drums and Sammy on vibes is worth the price of the disc alone. If anything, Sammy really gets to seriously shine in his own spotlight without Frank or Dean chiming in from backstage. Includes a previously unreleased live version of “My Mother The Car.”

“The Rat Pack Live at the Sands” (Capital) - A tad before cameras rolled for "Robin and the Seven Hoods" in September 1963, Frank, Dino and Sammy had a powwow at the Sands. Much of what will sound familiar from other Pack shows is here in all it's off-color glory. The real key, of course, is the trio's camaraderie, which remains a delight. And the fact they were playin' the Sands is just plain icing.

“Sinatra: ‘57 In Concert” (Artanis) - Even though they were a great team on many of their landmark albums, Sinatra and longtime arranger-bandleader Nelson Riddle rarely performed together. This disc captures one of those rare occasions with classic cuts like “I Get A Kick Out Of You,” “‘The Lady Is a Tramp,” and “I’ve Got You Under My Skin.”

“Frank Sinatra with the Red Norvo Quintet” (Blue Note) - While listening to vibraphonist Norvo perform in the Sands’ lounge, the Chairman got the idea to wax a disc for his own stripped-down jazz performance. Unreleased until 1997, these tapes were recorded during Sinatra’s brief Australian tour of 1959 and proves his musicianship has no equal. Perfect for hipsters with that European flair.

“The Summit: In Concert” (Artanis) - Taped in November 1962 at Chicago’s Villa Venice, this 79-minute supper-club show isn’t for the politically correct. Performing much of the same off-color humor Frank, Dean and Sammy perfected in Vegas, it’s more a document of the day than a true representation of their collective work. Still, though, it’s a must.

“Late at Night with Dean Martin,” (Capital) - Although the accompaniment ranges from small jazz combo to a large orchestra with strings, the emphasis here is Martin’s hypnotic and whispery magic. The result is a sexy cocktail collection that includes such staples as “Everybody Loves Somebody” and “Dream a Little Dream of Me.” Keep this one in the stereo for those of you looking to make a little hey-hey the second you arrive.

“Sammy and Friends,” (Rhino) - Buddies Frank, Dean, Bing Crosby Count Basie and drummer Buddy Rich are all featured on this swinging’ 20-track disc. Contains “Ain’t That a Kick in the Head” and “Ee-O-Eleven” from “Oceans 11” as well as “Salt and Pepper” from the film of the same name.

“The Capitol Years: The Best of Frank Sinatra”
“Capitol Collectors Series: Dean Martin” (Capital)
- Both Sinatra and Martin will be forever remembered for the tunes they recorded under Capital. All of Sinatra’s brassy standards and bittersweet saloon pop is here from “Witchcraft” to “Three Coins in the Fountain.” The primo Dino collection spans from 1948-1960, compiling 20 of his best cuts from “That’s Amore” to “Sway.” Both artists moved to Sinatra’s Reprise label by 1961.

“Ring-a-Ding Ding” (Reprise) - Sinatra’s first album at his Reprise label is perhaps one of his best. Released in 1961 and capturing the flippant swagger of the era, Sinatra was obviously happy to be out from Capital’s clutches.

“Tom Jones Live at Caesars Palace" (BMG International) - Amidst the glitz and glam of the deliciously gaudy Vegas strip in 1971, this lacquer cracker captures the sheer power and eroticism of the sexy Brit baritone. Very much at the top of his game and at his bawdy best, be sure to crank up the volume for Jones standards like "She's a Lady" and "It's Not Unusual." An essential set.

"Engelbert Humperdinck Live at the Riviera, Las Vegas" (Varese) - Originally released in 1972, this reissued collection captures the smooth-crooning Humperdinck at the peak of his popularity. With soulful vocal backing provided by the Three Degrees, the often billed "King of Romance" turns up the ballad quotient and delivers with assurance on such tunes as "My Prayer," "Help Me Make It Through the Night" and a strident "You'll Never Walk Alone."

"Paul Anka Live in Las Vegas" (Varese) - The bulk of this set contains pretty much what you'd expect from an Anka casino show circa mid-seventies — a healthy mixture of Anka originals, a medley of fifties hits and covers of smashes like "Gentle on My Mind," "Games People Play" and "For Once in My Life." Needless to say, there's also "My Way," and "She's a Lady," which are not covers per se since Anka wrote them.

Tuesday, May 15, 2007

THIS DUDE KNOWS MUSIC AND HOW TO MAKE IT


... And if you wanna know as well, read his incredibly insightful piece on gettin' funky on your computer, what you'll need and why.

God, how I wish I had a musical bone in this body of mine. Channel my inner Moby... Did I just offend everyone? Sike!! For real, I could channel my inner David Holmes, St. Germain or Solamingus.

I swear, if I ever make a movie, this is the dude who's gonna score it (all from a kick-booty studio in the basement). He's like an updated version of Bruno Martelli from "Fame." You remember, the curly-haired student that composed symphonies on his keyboard with the help of a few electronic doo-dads.

So since I can't "DIGG" (more on those bastards later), I'm gonna link to it here - Opening the DAW

Thursday, May 10, 2007

A RADIO STATION YOU NEED TO KNOW (BOOKMARK IT)


God, I feel like I'm in a time warp. A Hemingway time warp.

Don't know how-in-the-Christ I did it, but I managed to stumble upon this oldies station online -- WKHR 91.5 Cleveland. Yes, Cleveland ...

And this just isn't another oldies station, mind you. There's no doo-wop, girl groups or rock 'n roll here. No, we're talking big band, swing and jive from the '20s through the '40s. Amazing.

I couldn't believe what I was hearing. Even though you can hear this stuff, uninteruppted on satellite radio, it was completely refreshing to hear voices after these grand swingin' tunes as if these were the pop tunes of the day.

I imagined myself myself sitting somewhere at a drugstore counter, sipping a vanilla Coke and eyeing up a cutie-pie waitress.

The station relies entirely on donations from listeners so please consider making a donation to keep WKHR on the air and commercial free

Click HERE to listen online. And please, donate if you enjoy them. Let's keep this music alive.

Saturday, May 5, 2007

GUESS THE SINGER (A CHALLENGE)



Alrighty ... I know there's many of you out there that fancy yourselves music aficionados. So to that I say ... A challenge!

I came across this great ditty the other day and I thought it would be a change of pace to ask everyone out there who you thought it was.

Listen to the clip below and the satiny, velvety voice ... Name the artist! You'll be the first esteemed outside member of Hemingway's Lounge. Oh, and read the above again. There IS a clue.

CLICK TO HEAR THE CLIP - GUESS THE ARTIST AND/OR SONG"