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Showing posts with label Cannes Film Festival. Show all posts
Showing posts with label Cannes Film Festival. Show all posts

Thursday, May 21, 2009

MICHAEL MOORE RETURNS WITH NEW FILM AIMED AT CORPORATE GREED



Overture Films and Paramount Vantage have announced that Oscar-winner Michael Moore’s new documentary feature will be released domestically on October 2, 2009. The as-yet-untitled film will explore the root causes of the global economic meltdown and take a comical look at the corporate and political shenanigans that culminated in what Moore has described as “the biggest robbery in the history of this country” – the massive transfer of U.S. taxpayer money to private financial institutions.

On this, the 20-year anniversary of his masterpiece Roger & Me, Moore returns to the issue that began his career: the disastrous impact that corporate dominance and out-of-control profit motives have on the lives of Americans and citizens of the world. But this time the culprit is much bigger than General Motors, and the crime scene far wider than Flint, Michigan.

Says Moore: "The wealthy, at some point, decided they didn't have enough wealth. They wanted more -- a lot more. So they systematically set about to fleece the American people out of their hard-earned money. Now, why would they do this? That is what I seek to discover in this movie."

Moore’s new documentary, his first since 2007’s widely-praised Sicko, was first announced by Overture and Paramount Vantage International in May 2008 at the Cannes Film Festival and production began shortly afterward.

Chris McGurk and Danny Rosett, Overture’s CEO and COO respectively, previously worked with Moore when they oversaw the release of Bowling for Columbine at MGM/United Artists.

“Everyone can relate to this subject matter and all have been affected,” said McGurk and Rosett. “We think there should be plenty of people interested in hearing Michael’s take on how exactly we got here and what we can do to move forward.”

John Lesher, President of Paramount Film Group, added, “Michael is a master at capturing the most timely and critical issues shaping our world today. His unique, thought-provoking method of filmmaking is sure to bring dynamic insights into the state of the global economy that will have mass appeal to audiences worldwide.”

The release date is a year and a day after the United States Senate voted to hand Wall Street a $700 billion bailout




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'INGLOURIOUS BASTERDS': THE VARIETY REVIEW


VIA Variety:

"Inglourious Basterds" is a violent fairy tale, an increasingly entertaining fantasia in which the history of World War II is wildly reimagined so that the cinema can play the decisive role in destroying the Third Reich. Quentin Tarantino's long-gestating war saga invests a long-simmering revenge plot with reworkings of innumerable genre conventions, but only fully finds its tonal footing about halfway through, after which it's off to the races. By turns surprising, nutty, windy, audacious and a bit caught up in its own cleverness, the picture is a completely distinctive piece of American pop art with a strong Euro flavor that's new for the director. Several explosive scenes and the names of Tarantino and topliner Brad Pitt promise brawny commercial prospects, especially internationally, as the preponderance of subtitled dialogue might put off a certain slice of the prospective domestic audience.

To read the rest of the review, click HERE.



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Monday, May 11, 2009

TARANTINO PLANNING 'BASTERDS' PREQUEL?

Quentin TarantinoQuentin Tarantino (via last.fm)

I might have just wept a little...

Ok, so Quentin Tarantino is just about to debut "Inglourious Basterds" at the Cannes Film Festival, and he is already planning another film in his potential WW II franchise.

The scoop is that Tarantino had put on the backburner a significant subplot involving African-American soldiers stuck behind enemy lines, which he hopes to make that part of a prequel.

"I have a half-written prequel ready to go if this movie’s a smash,” Tarantino tells the New York Times .

Of course, the famous director has a history of talking about projects and ideas that never come to fruition. You might recall a little Pulp Fiction / Reservoir Dogs prequel/sequel called The Vega Brothers??? And the potential sequels to Kill Bill??