
VIA Variety:
"Inglourious Basterds" is a violent fairy tale, an increasingly entertaining fantasia in which the history of World War II is wildly reimagined so that the cinema can play the decisive role in destroying the Third Reich. Quentin Tarantino's long-gestating war saga invests a long-simmering revenge plot with reworkings of innumerable genre conventions, but only fully finds its tonal footing about halfway through, after which it's off to the races. By turns surprising, nutty, windy, audacious and a bit caught up in its own cleverness, the picture is a completely distinctive piece of American pop art with a strong Euro flavor that's new for the director. Several explosive scenes and the names of Tarantino and topliner Brad Pitt promise brawny commercial prospects, especially internationally, as the preponderance of subtitled dialogue might put off a certain slice of the prospective domestic audience.
To read the rest of the review, click HERE.
Thursday, May 21, 2009
'INGLOURIOUS BASTERDS': THE VARIETY REVIEW
2:05 PM
bradpitt, Cannes Film Festival, Inglourious Basterds, Pop art, QuentinTarantino, United States, Variety, World War II
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